FilmReview

Review: Click Like and Retweet on ‘Unfriended’…Or Else

Evan Slead ’16 / Emertainment Monthly Head Movies Editor

Shelley Hennig, Courtney Halverson, Renee Olstead, and Moses Jacob Storm in Unfriended. Photo Credit: Universal Pictures.
Shelley Hennig and Moses Jacob Storm in Unfriended. Photo Credit: Universal Pictures.

The world today is run by how many likes, retweets, favorites, comments, subscribers, and views one can get. Especially when looking at the younger generations, the online community has become vital to maintaining any semblance of an identity. It seems that every facet of life has changed including a new form of bullying that is all too common. No longer found on the playground, but rather, on the internet. Director Levan Gabriadze and writer Nelson Greaves dissected that spirit of the online world and infused it into a horror film for a new generation. Unfriended is a fresh approach to the genre as it isn’t exactly a found footage or possession movie of recent years. Thankfully because it focuses on the new there are many strong moments to praise, however, it can’t seem to help falling on the sword of horror tropes of the past.

Unfriended tells the story of six friends a year after the death of their best “frenemy” Laura Barns (Heather Sossaman). Told entirely through Blaire’s (Shelley Hennig) computer screen, viewers are shown the video of Laura’s suicide as well as the events that lead to her decision to take her life. On the night of the anniversary of Laura’s death, Blaire, Mitch (Moses Jacob Storm), Val (Courtney Halverson), Adam (Will Peltz), Jess (Renee Olstead), and Ken (Jacob Wysocki) meet up on Skype to plan a night out. As Mitch and Blaire are seducing one another over iMessage, they both receive a Facebook message from Laura’s account. Believing it to just be a hacker, the friends begin to turn on one another trying to find the disturbing culprit. The identity of the person controlling Laura’s account is quickly revealed and the friends are forced to confront their issues with one another, and the bullying that changed Laura’s life forever.

The most inspiring aspect of the film is understood as soon as the Universal logo downloads to the screen. The entire film is shown through the lens of Blaire’s computer. Viewers see her click every link, pick every song on Spotify, copy and paste information, and delete/rewrite every message she plans to send. The other characters are introduced through her interactions with them on iMessage and Skype. At first this approach feels very overwhelming as it sets in that the entire film will rely on keeping the computer screen engaging. It was a risky and strong stylistic choice, but thankfully it pays off tremendously as the confined nature of the computer screen adds a strong claustrophobia for the viewer once the horror begins to unravel. The use of actual sites and apps makes the film feel real which is about as close to “this film is based on true events” as it can get without explicitly stating it.

Shelley Hennig, Courtney Halverson, and Renee Olstead in Unfriended. Photo Credit: Universal Pictures.
Shelley Hennig, Courtney Halverson, and Renee Olstead in Unfriended. Photo Credit: Universal Pictures.

However, it falls apart in the end as the characters veer towards classic horror tropes. Instead of running out the front door from the killer, they run upstairs. Here, instead of shutting off their computer, they click a link. Additionally, a choice to shoehorn in a website that talks of teens committing suicide over “possession” occurrences feels far too pandering and goofy for a premise that started strong. There were choices made by characters that felt completely ridiculous, such as Adam pulling out a gun on Skype to intimidate “Laura”. It’s as if the film needed to remind viewers they were watching a movie and not an actual account of horror.

The teens themselves are as self involved and obnoxious as one would expect, which technically works well for the nature of the Unfriended beast. Their issues that unravel aren’t as deep and scandalous as one would expect from a solid horror film, but become deeper and more vile as the story unfolds.

Shelley Hennig in Unfriended. Photo Credit: Universal Pictures.
Shelley Hennig in Unfriended. Photo Credit: Universal Pictures.

The big question: is this a game changing film for the horror genre? In a way, it is, but only for right now. The film set up a lot of fun and interesting approaches to draw in the new generation as well as satisfy the old, but the ideas weren’t taken as far as they could have been. Overall it feels fresh and trendy, but almost too “of the time” which makes the idea of re-watching years from now seem ridiculous.

Overall Grade: B

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